[OT] RIP Lou Reed
October 27, 2013 05:33PM
Big figure in Music

[www.rollingstone.com]


Lou Reed, Velvet Underground Leader and Rock Pioneer, Dead at 71
New York legend, who helped shape nearly fifty years of rock music, underwent a liver transplant in May


Lou Reed, a massively influential songwriter and guitarist who helped shape nearly fifty years of rock music, died today. The cause of his death has not yet been released, but Reed underwent a liver transplant in May.

Look back at Lou Reed's remarkable career in photos

With the Velvet Underground in the late Sixties, Reed fused street-level urgency with elements of European avant-garde music, marrying beauty and noise, while bringing a whole new lyrical honesty to rock & roll poetry. As a restlessly inventive solo artist, from the Seventies into the 2010s, he was chameleonic, thorny and unpredictable, challenging his fans at every turn. Glam, punk and alternative rock are all unthinkable without his revelatory example. "One chord is fine," he once said, alluding to his bare-bones guitar style. "Two chords are pushing it. Three chords and you're into jazz."

Lewis Allan "Lou" Reed was born in Brooklyn, in 1942. A fan of doo-wop and early rock & roll (he movingly inducted Dion into the Rock and Roll Hall of Fame in 1989), Reed also took formative inspiration during his studies at Syracuse University with the poet Delmore Schwartz. After college, he worked as a staff songwriter for the novelty label Pickwick Records (where he had a minor hit in 1964 with a dance-song parody called "The Ostrich"winking smiley. In the mid-Sixties, Reed befriended Welsh musician John Cale, a classically trained violist who had performed with groundbreaking minimalist composer La Monte Young. Reed and Cale formed a band called the Primitives, then changed their name to the Warlocks. After meeting guitarist Sterling Morrison and drummer Maureen Tucker, they became the Velvet Underground. With a stark sound and ominous look, the band caught the attention of Andy Warhol, who incorporated the Velvets into his Exploding Plastic Inevitable. "Andy would show his movies on us," Reed said. "We wore black so you could see the movie. But we were all wearing black anyway."

"Produced" by Warhol and met with total commercial indifference when it was released in early 1967, VU’s debut The Velvet Underground & Nico stands as a landmark on par with the Beatles' Sgt. Pepper's Lonely Hearts Club Band and Bob Dylan's Blonde On Blonde. Reed's matter-of-fact descriptions of New York’s bohemian demimonde, rife with allusions to drugs and S&M, pushed beyond even the Rolling Stones’ darkest moments, while the heavy doses of distortion and noise for its own sake revolutionized rock guitar. The band’s three subsequent albums – 1968’s even more corrosive sounding White Light/White Heat, 1969’s fragile, folk-toned The Velvet Underground and 1970’s Loaded, which despite being recorded while he was leaving the group, contained two Reed standards, “Rock & Roll” and “Sweet Jane,” were similarly ignored. But they’d be embraced by future generations, cementing the Velvet Underground’s status as the most influential American rock band of all time.

Read Rolling Stone's 1989 Lou Reed cover story

After splitting with the Velvets in 1970, Reed traveled to England and, in characteristically paradoxical fashion, recorded a solo debut backed by members of the progressive-rock band Yes. But it was his next album, 1972’s Transformer, produced by Reed-disciple David Bowie, that pushed him beyond cult status into genuine rock stardom. “Walk On the Wild Side,” a loving yet unsentimental evocation of Warhol’s Factory scene, became a radio hit (despite its allusions to oral sex) and “Satellite of Love” was covered by U2 and others. Reed spent the Seventies defying expectations almost as a kind of sport. 1973’s Berlin was brutal literary bombast while 1974’s Sally Can’t Dance had soul horns and flashy guitar. In 1975 he released Metal Machine Music, a seething all-noise experiment his label RCA marketed as a avant-garde classic music, while 1978’s banter-heavy live album Take No Prisoners was a kind of comedy record in which Reed went on wild tangents and savaged rock critics by name (“Lou sure is adept at figuring out new ways to @#$%& on people,” one of those critics, Robert Christgau, wrote at the time). Explaining his less-than-accommodating career trajectory, Reed told journalist Lester Bangs, “My bullshit is worth more than other people’s diamonds.”

Reed’s ambiguous sexual persona and excessive drug use throughout the Seventies was the stuff of underground rock myth. But in the Eighties, he began to mellow. He married Sylvia Morales and opened a window into his new married life on 1982’s excellent The Blue Mask, his best work since Transformer. His 1984 album New Sensations took a more commercial turn and 1989’s New York ended the decade with a set of funny, politically cutting songs that received universal critical praise. In 1991, he collaborated with Cale on Songs For Drella, a tribute to Warhol. Three years later, the Velvet Underground reunited for a series of successful European gigs.

Reed and Morales divorced in the early Nineties. Within a few years, Reed began a relationship with musician-performance artist Laurie Anderson. The two became an inseparable New York fixture, collaborating and performing live together, while also engaging in civic and environmental activism. They were married in 2008.

Reed continued to follow his own idiosyncratic artistic impulses throughout the ‘00s. The once-decadent rocker became an avid student of T'ai Chi, even bringing his instructor onstage during concerts in 2003. In 2005 he released a double CD called The Raven, based on the work of Edgar Allen Poe. In 2007, he released an ambient album titled Hudson River Wind Meditations. Reed returned to mainstream rock with 2011’s Lulu, a collaboration with Metallica.

“All through this, I’ve always thought that if you thought of all of it as a book then you have the Great American Novel, every record as a chapter,” he told Rolling Stone in 1987. “They’re all in chronological order. You take the whole thing, stack it and listen to it in order, there’s my Great American Novel.”

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Re: [OT] RIP Lou Reed
October 27, 2013 05:37PM
Wow, he will be missed! Lou
Reed RITruth!
Re: [OT] RIP Lou Reed
October 27, 2013 07:03PM
AJ
Re: [OT] RIP Lou Reed
October 28, 2013 12:28PM
RIP Mr. Reed.
Thanks for all the live shows.............they were some of the best. Lou Reed lps always found their way to my turntable back in the 70's
Big up John Cale.
Re: [OT] RIP Lou Reed
November 01, 2013 10:56PM
Lou Reed is not reggae AND he is a gay icon.
I don"t see how that fits here......
A slight disconnect.......
Maybe you shouldn't start so many posts "ras" Adam, jus sayin.
Re: [OT] RIP Lou Reed
November 01, 2013 11:11PM
BIG UP RAS ADAM.



Edited 2 time(s). Last edit at 11/02/2013 02:06AM by J_72.
Re: [OT] RIP Lou Reed
November 01, 2013 11:13PM
I love Lou Reed. Sad to hear he's passed.

Maximum respect to a great musician and artist.

Big up Ras Adam.
Re: [OT] RIP Lou Reed
November 01, 2013 11:19PM
RIP Lou Reed....

STFU, strikkly

OMG, TMI, L8R!
Re: [OT] RIP Lou Reed
November 02, 2013 12:59AM
Quote
strikkly
Lou Reed is not reggae AND he is a gay icon.
I don"t see how that fits here......
A slight disconnect.......
Maybe you shouldn't start so many posts "ras" Adam, jus sayin.

Not reggae, therefore the [OT] in the title. Reed was much more of a punk icon than a gay icon, about a decade before the punk movement. The bass & harmony vocals in "Walk on the Wild Side" are excellent. Not a big Reed fan, too E. Coast for me I guess, but I acknowledge his influence.
Re: [OT] RIP Lou Reed
November 02, 2013 04:35AM
Other peoples' person's comments notwithstanding, BIG UP to RAS Adam for all his informative posts, both reggae related as well as musically in general.....!
Re: [OT] RIP Lou Reed
November 02, 2013 05:55AM
Lou Reed was only an icon of the Lou Reed movement. A handful of groups like the Stooges, the Modern Lovers, and Simply Saucer continued what Lou started in the 60's, but Pistols-era punk and beyond is musically tedious with very few exceptions. Throwaway tracks by the Velvet Underground are better than just about anything '77 style punk produced. RIP to a deserving legend.



Edited 1 time(s). Last edit at 11/02/2013 06:01AM by Billy_Boom.
AJ
Re: [OT] RIP Lou Reed
November 02, 2013 12:57PM
Quote
strikkly
Lou Reed is not reggae AND he is a gay icon.
I don"t see how that fits here......
A slight disconnect.......
Maybe you shouldn't start so many posts "ras" Adam, jus sayin.

strikkly ~ I hope you did not lose any sleep over this non-reggae thread. winking smiley
[ot] other topics i've seen over the years on this phorum ~ sports, crime reports and even world music threads. So.......don't worry yourself over non-reggae threads.......every little ting is gonna be alright.
Have a "perfect day"!
Re: [OT] RIP Lou Reed
November 02, 2013 05:57PM
c'mon do we really need a [GT] tag for possible gay associations? Seems a little homophobic to me, just sayin'.
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